But in 2019, there was a new and accurate Urtext publication of the whole set by Stefano Grondona on Guitar Heritage based on the manuscripts. Everything came out a bit too complicated. But there was also the copyright problem in 2006 - Schott held the copyright only for selecting 12 Preludios. In this period, I was too busy with many other projects, and to be honest, the challenging work on the other Ponce edition made me a bit tired to continue.

What was the reason to let us wait so long time for your publication? And I could discover so many differences between the editions by AlcР“РЋzar and Segovia. I was very emphasised about reading all these beautiful pieces now in PonceРІР‚в„ўs own handwriting. In 2006 - after my first Urtext edition of some important Ponce pieces published on Schott ( Sonatina meridional, Sonata clР“РЋsica, Sonata romР“РЋntica, ThР“РЃme variР“В© et Finale) - I received the manuscript of the 24 Preludios. Before, we only had the version by AndrР“В©s Segovia with a selection of 12 Preludios. I remember how glad I was when I discovered in 1981 a brand-new edition with the first publication of all 24 Preludios by the Mexican guitarist Miguel AlcР“РЋzar on Tecla. LetРІР‚в„ўs talk about your recent publication about your work with Manuel MarР“Вa Ponce that came out last year.

Manuel ponce sonata clasica